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Nakisa Nooraee

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              Descilmiar: None of these links are affiliated. I refer to them because I use them and find them helpful. Domain & Host To have a website, you need to buy a domain. Most authors use their names for their domain addresses. On this website, you can check if […]

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Keep track of your reading with Libib

                Disclaimer: This is NOT an affiliated post. Why do you need to keep a list of the books you read? As a picture book author, you read lots of picture books. Initially, your memory keeps fresh memory of books but after some months, you cannot remember the

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All materials copyright © 2026 Nakisa Nooraee

So Late in the Day

I will write here later

The Mountains Sing

I read this book merely because of its title. My reasoning was that when an author is so careful with the title, the story will most likely be good. And it was not good, but brilliant.

Jamila

I read this book twice in Farsi.

First, in my teenage years, when I devoured every available book in the library in my hometown. Jamile mesmerized me. And, second time, in my thirthies. This time, Jamila ….

Tiger! Tiger! (1975)

 

Seven resin collectors

 

Ronggeng Dukuh Paruk (1982)

The story happens in a small, impoverished fictional village called Dukuh Paruk in the middle of Java Island. The main character, the 14-year-old Rasus, is in love with an 11-year-old girl, Srintil, whose grandfather believes she has a talent for Ronggeng—the Javanese dance. Moreover, in Rasus’s imagination, the girl is a replacement for Rasus’s mother, whom he had lost in childhood. A Ronggeng dancer isn’t a simple entertainer. The dancer is considered a sacred vessel for the village’s ancestral spirit and is expected to be available to the men of the village! I am not sure if it is comparable to the “sacred prostitute” in the temples that we read in the ancient Sumerian stories.

I read the first book in the trilogy in German—Die Tänzerin von Dukuh Paruk. Sadly, the other two volumes aren’t available to buy. In English, the trilogy is published in one volume with the title “The Dancer”.

Die Tanzerin von Dukuh Paruk

 

The central conflict of the story is that Rasus has to emotionally put up with the tradition that everyone in his village believes in or benefits from. Rasus grows out of this calamity; he criticizes his village and its culture. In a nutshell, the story is the classic archetype: a boy becomes a man.

Tohari’s writing voice brings this archetype to life, especially his descriptions of nature and animals, which immerse me in the atmosphere of a Javanese village. The main theme of the story is the battle between tradition and humanity. In spite of the dire atmosphere in the story, it is very optimistic. Poverty and tradition cannot kill the humanity in Rasus.